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    20.4.09

    Vicki Zhao



    Vicki Zhao Wei born on March 12, 1976 in Wuhu, Anhui Province, China, is a Chinese actress. She graduated from Beijing Film Academy in 2000.

    In 1999, Vicki Zhao won Golden Eagle Award s "Best Actress Award " which is China highest TV drama award . In 2001, she won Best Actress Award and People's Choice Award in Taiwan Online voting. In 2002, she won two "Best Supporting Actress nominations" in Taiwan Golden Horse Award and Asia Pacific Film Festival. In 2004, she won "Best Actress nomination" and "People's Choice Award (Actress)" in the 11th Beijing College Student Film Festival. She won "Best Actress nomination" and "People's Choice Award (Actress)" in the 4th Chinese Media Film Award s; and "Best Actress Nomination" in Hundred Flowers Award s. Today, Zhao Wei is one of Chinese directors' favorite actresses. For instance, He Ping, Ann Hui, Wong Kar-wai and Jiang Wen.

    She also is a pop singer. In 1999-2001, her 4 albums sold more than 3,700,000 records in Asia, but critics thought those record were just so so. In November 2004, her newest album sold more than 300,000 only in 10 days (China mainland), and most of the critics praised her. In 2005, she won Pepsi Chart Music Award s "Most Popular Female Singer (mainland)", Sprite Music Award s "Most Versatile Entertainment Award " and Music Radio China's Top Chart Award s "Most Popular Mainland Female Singer".

    19.4.09

    L'Arc-En-Ciel Biography



    In February 1991, tetsu and hyde, along with Hiro (guitar) and pero (drums), formed the band and named it after a film that tetsu had seen. After a year of gaining notoriety in their hometown of Osaka, Hiro left the band on June 12, 1992. pero soon followed on December 30 of that same year, supposedly to join up with his friend Hiro again. tetsu convinced his friend ken to quit his studies in architectural design and join the band. A new drummer, sakura, was recruited after tetsu saw him play. In 1993, the band released their debut album, Dune under the indies label Danger Crue, which was met with plenty of success and rose to number one on the Oricon indies charts.
    This caught the attention of some major labels, so in 1994, they signed for Sony's Ki/oon division, releasing their second album, Tierra (Spanish for "Earth") that same year. Heavenly followed in 1995, and True, their first million seller, in 1996.
    In 1997, sakura was arrested for heroin possession and quit the band. This became lowest point in the band's history. When news of sakura's arrest became public every ounce of Laruku's popularity was stripped. Just as they had reached a peak in their career, CDs were being pulled off the shelves, and any songs that were used as theme songs were quickly replaced. There was no evidence of the band's existence, and their next single "The Fourth Avenue Cafe" was indefinitely postponed and has never been released. Many believe that the whole incident was blown tremendously out of proportion.
    L'Arc-en-Ciel was quiet for a little while, but they were not ready to give up. They continued to be featured on magazines, but as a three-man band L'Arc-en-Ciel. They then created a "L'Arc-en-Ciel cover band", "The Zombies", which was the three-man band L'Arc-en-Ciel themselves covering and making fun of their own songs. They also covered artists such as Marilyn Manson.
    In 1998, they released their first single since sakura left 「虹」 (Niji — Rainbow). yukihiro was the drummer for this release, but was only listed as a support member. However, the band members were quickly impressed with his drumming skills and made him the official drummer not long after niji's release. L'Arc-en-Ciel was back, and what better way to prove themselves then by organizing a concert, aptly titled "Reincarnation"; this was the reincarnation of L'Arc-en-Ciel.
    The first concert date of the new tour in Tokyo Dome had an attendance of 56,000 and sold out in four minutes, a Tokyo Dome record as well as a testament to their popularity. Their next album was Heart, in 1998, which, like their second major album "Heavenly" is seen as a transitional album: trying to forget the past, but also trying to maintain their originality and success.
    L'Arc-en-Ciel released three more albums of new material during the next few years. Ark and Ray which were released simultaneously in 1999, and were the first Japanese albums to be released the same day in many different Asian countries. The release of Ark and Ray marked the high point of their career, with each selling over two million copies (no other release from the band managed to reach two million). Real followed in 2000, which was the last CD of new material for some time, although many more compilation and remix albums would follow. L'Arc-en-Ciel also composed several theme songs for various anime series, including DNA², Rurouni Kenshin, Great Teacher Onizuka, and Fullmetal Alchemist. They also created the ending theme song to the movie Final Fantasy: The Spirits Within.

    15.4.09

    EMINEM



    Eminem, born Marshall Bruce Mathers III, 17 October 1973, Kansas City, Missouri, USA. This white rapper burst onto the US charts in 1999 with a controversial take on the horrorcore genre. Mathers endured an itinerant childhood, living with his mother in various states before eventually ending up in Detroit at the age of 12. He took up rapping in high school before dropping out in ninth grade, joining ad hoc groups Basement Productions, the New Jacks, and D12. The newly named Eminem released a raw debut album in 1997 through independent label FBT. Infinite was poorly received, however, with Eminem earning unfavourable comparisons to leading rappers such as Nas and AZ. His determination to succeed was given a boost by a prominent feature in Source's Unsigned Hype column, and he gained revenge on his former critics when he won the Wake Up Show's Freestyle Performer Of The Year award, and finished runner-up in Los Angeles' annual Rap Olympics. The following year's The Slim Shady EP, named after his sinister alter-ego, featured some vitriolic attacks on his detractors. The stand-out track, "Just Don't Give A fuck", became a highly popular underground hit, and led to guest appearances on MC Shabaam Sahddeq's "Five Star Generals" single and Kid Rock's Devil Without A Cause set. As a result, Eminem was signed to Aftermath Records by label boss Dr. Dre, who adopted the young rapper as his protege and acted as co-producer on Eminem's full-length debut. Dre's beats featured prominently on The Slim Shady LP, a provocative feast of violent, twisted lyrics, with a moral outlook partially redeemed by Eminem's claim to be only "voicing" the thoughts of the Slim Shady character. Parody or no parody, lyrics to tracks such as "97 Bonnie & Clyde" (which contained lines about killing the mother of his child) and frequent verbal outbursts about his mother were held by many, outside even the usual Christian moral majority, to be deeply irresponsible. The album was buoyed by the commercial success of the singles "My Name Is" and "Guilty Conscience" (the former helped by a striking, MTV-friendly video), and climbed to number 2 on the US album chart in March 1999.

    Eminem subsequently made high profile appearances on Rawkus Records' Soundbombing Volume 2 compilation and Missy "Misdemeanor" Elliott's Da Real World. He was also in the news when his mother filed a lawsuit claiming that comments made by the rapper during interviews and on The Slim Shady LP had caused, amongst other things, emotional distress, damage to her reputation and loss of self-esteem. None of which harmed the sales of Eminem's follow-up album, The Marshall Mathers LP, which debuted at number 1 on the US album chart in May 2000 and established him as the most successful rapper since the mid-90s heyday of 2Pac and Snoop Doggy Dogg. By the end of the year, however, his troubled personal life and a serious assault charge had removed the gloss from his phenomenal commercial success. Despite criticism from gay rights groups, the rapper swept up three Grammy Awards the following February. He also reunited with his D12 colleagues to record the transatlantic chart-topping Devil's Night.

    Eminem's new studio album, The Eminem Show, was premiered by single "Without Me". The track, which debuted at UK number 1 in May 2002, featured a sample from Malcolm McLaren's "Buffalo Girls" and was supported by a controversial video which saw the rapper dressing up as Osama Bin Laden. The album debuted at number 1 on both sides of the Atlantic. Later in the year, Eminem made his mainstream acting debut in 8 Mile. The lead single from the soundtrack, "Lose Yourself", gave the rapper his first US number 1 single in November.


    10.4.09

    AVRIL LAVIGNE



    Avril Lavigne (full name Avril Ramona Lavigne-Whibley) was born on 27th September, 1984 in Canada. Her credentials include a Grammy nomination. She has sols over 26 million albums worldwide. Avril Lavigne has ranked as the number 7 most powerful Canadian in Hollywood has to her fame of selling over 26 million albums worldwide. Avril Lavigne was ranked 7th most powerful Canadian in Hollywood by Canadian Business Magazine.

    Avril Lavigne was born in Canada in the town of Belleville in Ontario. Her father John is French born and her mother Judy is French-Canadian. Both her parents being Catholic, Avril Lavigne enjoyed a Catholic upbringing. Her music carrier got an early start when at the tender age of two she accompanied her mother in the church choir. At the age of five, her family moved to Nappanee, Ontario.


    In 1998, Avril Lavigne took part in her first singing competition/concert tour along with fellow Canadian singer Shania Twain. While performing at a bookstore in Kingston, Ontario, she was spotted by her first manager. Folk singer Steve Medd spotted her while performing at the Lennox Community Theatre. He invited her to sing his song titled "Touch the Sky" along with him on stage. Avril Lavigne continued to collaborate with him on his next two albums. She signed her first record deal at the age of sixteen with Arista Records.

    In June, 2002, Avril Lavige released her album titled "Let Go" in te United States. The CD became number 2 on the U.S. charts and number one in Canada, Australia and the U.K. She became the youngest solo singer to have a number one album in the U.K. In 2004, she released under my skin. The CD became number one in a number of coutries such as United States, United Kingdom, Spain, Germany, Australia, Mexico, Argentina, Thailand, Hong Kong, Ireland and Japan. Almost five hundred thousand copies were sold in the United States the first week alone.

    In 2007, Avril Lavige released her third album titled "The Damn Thing." This CD enjoyed a similar degree of success becoming number on the U.S. charts. The first single "Girlfriend" hit the Billboard 100 in the number one position. This track was also recorded in a number of languages besides English.
    Avril Lavigne's motion picture carrier got its start with the animated feature "Over the Hedge." She also had a role in Richard Gere's film titled "The Flock" where she plays the girlfriend of the prime suspect.
    By Kory Doszpoly
    Published: 7/7/2007

    7.4.09

    BIOGRAPHY KISS

    Following the demise of Wicked Lester, Kiss were formed in 1972 by Paul Stanley (b. Paul Eisen, 20 January 1950, Queens, New York, USA; rhythm guitar, vocals) and Gene Simmons (b. Chaim Witz, 25 August 1949, Haifa, Israel; bass, vocals), who went on to recruit Peter Criss (b. Peter Crisscoula, 27 December 1947, Brooklyn, New York, USA; drums, vocals) and Ace Frehley (b. Paul Frehley, 22 April 1951, Bronx, New York, USA; lead guitar, vocals). At their second show at the Hotel Diplomat, Manhattan, in 1973, Flipside producer Bill Aucoin offered the band a management contract, and within two weeks they were signed to Neil Bogart's recently established Casablanca Records. In just over a year, Kiss had released their first three albums with a modicum of success.
    In the summer of 1975 their fortunes changed with the release of Alive! , which spawned their first US hit single, with the reissued live version of 'Rock And Roll All Nite' climbing to number 12 in November. The appeal of Kiss has always been based on their live shows: the garish greasepaint make-up, outrageous costumes and pyrotechnic stage effects, along with their hard-rocking anthems, combined to create what was billed as 'The Greatest Rock 'n' Roll Show On Earth'. Their live reputation engendered a dramatic upsurge in record sales, and Alive became their first certified platinum album in the USA. Destroyer proved just as successful, and also gave them their first US Top 10 single, earning Peter Criss a major songwriting award for the uncharacteristic ballad, 'Beth'.
    Subsequent releases, Rock And Roll Over , Love Gun and Alive II , each certified platinum, confirmed the arrival of Kiss as major recording artists. By 1977 Kiss had topped the prestigious Gallup poll as the most popular act in the USA. They had become a marketing dream: Kiss merchandise included make-up kits, masks, board games, and pinball machines. Marvel Comics produced two super-hero cartoon books, and a full-length science-fiction film, Kiss Meet The Phantom Of The Park, was even produced. The ranks of their fan club, the Kiss Army, had swollen to a six-figure number.
    In September 1978 all four group members released solo albums on the same day, a feat never before envisaged, let alone matched. At the time, this represented the biggest shipment of albums from one 'unit' to record stores in the history of recorded music. The albums enjoyed varying degrees of success; Ace Frehley's record came out on top and included the US Top 20 hit single, 'New York Groove'. Gene Simmons, whose album featured an impressive line-up of guests including Cher , Donna Summer , Bob Seger and Janis Ian , had a hit single in the UK with 'Radioactive', which reached number 41 in 1978. After the release of Dynasty in 1979, which featured the worldwide hit single, 'I Was Made For Lovin' You', cracks appeared in the ranks.
    Peter Criss left to be replaced by session player Anton Fig, who had previously appeared on Frehley's solo album. Fig played drums on the 1980 release Unmasked until a permanent replacement was found in the form of New Yorker Eric Carr (b. 12 July 1950, d. 24 November 1991), who made his first appearance during the world tour of 1980. A fuller introduction came on Music From The Elder , an album that represented a radical departure from traditional Kiss music and included several ballads, an orchestra and a choir. It was a brave attempt to break new ground but failed to capture the imagination of the record-buying public. Frehley, increasingly disenchanted with the musical direction of the band, finally left in December 1982. The two albums prior to his departure had featured outside musicians.
    Bruce Kulick, who had contributed to the studio side of Alive II and played on Stanley's solo album, supplied the lead work to the four previously unreleased tracks on the Killers compilation of 1982, and Vincent Cusano (later to become Vinnie Vincent ) was responsible for lead guitar on the 1982 release, Creatures Of The Night . By 1983 the popularity of the band was waning and drastic measures were called for. The legendary make-up that had concealed their true identities for almost 10 years was removed on MTV in the USA. Vinnie Vincent made his first official appearance on Lick It Up , an album that provided Kiss with their first Top 10 hit in the UK. The resurgence of the band continued with Animalize .
    Vincent had been replaced by Mark St. John (b. Mark Norton), a seasoned session player and guitar tutor. His association with the band was short-lived, however, as he was struck down by Reiters Syndrome. Bruce Kulick was enlisted as a temporary replacement on the 1984 European Tour, and subsequently became a permanent member when it became apparent that St. John would not be able to continue as a band member. Further commercial success was achieved with Asylum and Crazy Nights , the latter featuring their biggestUK hit single, 'Crazy Crazy Nights', which peaked at number 4 in October 1987 and was soon followed by another Top 40 hit single, 'Reason To Live'.
    Hot In The Shade succeeded their third compilation album, Smashes, Thrashes And Hits , and included another US hit single, 'Forever', which reached number 8 in February 1990. Work on a new Kiss album with producer Bob Ezrin was delayed following Eric Carr's illness due to complications from cancer. He died on 24 November 1991, in New York, at the age of 41. Despite this setback, Kiss contributed a hit cover version of Argent 's classic 'God Gave Rock 'N' Roll To You II' (UK number 4, January 1992) to the soundtrack of the film Bill And Ted's Bogus Journey, and brought in replacement drummer Eric Singer (ex- Black Sabbath ; Badlands ). The album Revenge also provided them with their highest charting US album (number 4), and their first Top 10 release since Dynasty reached number 9 in 1979.
    The Kiss My Ass tribute album was released in 1994, with contributions from Lenny Kravitz , Stevie Wonder , Garth Brooks , Lemonheads , Faith No More , Dinosaur Jr, Rage Against The Machine and others. The interest in Kiss My Ass led to a historic reunion for MTV Unplugged . A stable unit with Bruce Kulick (guitar) and Eric Singer (drums), together with Simmons and Stanley, appeared to be on the cards, but Frehley and Criss returned for a reunion tour. So successful was the tour that Kulick and Singer were naturally somewhat annoyed and both quit. Their irritation was further exacerbated by the fact that a new studio album, Carnival Of Souls , featured both of them. In 1997 Vincent sued the band, alleging that they owed him royalties.
    A year later Psycho Circus marked the return of the original line-up to the studio, and became the group's highest charting US album when it debuted at number 3 in October. With a history spanning three decades, Kiss' impact on the consciousness of a generation of music fans, particularly in the USA, remains enormous.

    5.4.09

    ROLLING STONE BIOGRAPHY

    The Rolling Stones began calling themselves the "World's Greatest Rock & Roll Band" in the late '60s, and few disputed the claim. The Rolling Stones' music, based on Chicago blues, has continued to sound vital through the decades, and the Stones' attitude of flippant defiance, now aged into wry bemusement, has come to seem as important as their music.

    In the 1964 British Invasion they were promoted as bad boys, but what began as a gimmick has stuck as an indelible image, and not just because of incidents like Brian Jones’ mysterious death in 1969 and a violent murder during their set at Altamont later that year. In their music, the Stones pioneered British rock’s tone of ironic detachment and wrote about offhand brutality, sex as power, and other taboos. In those days, Mick Jagger was branded a “Lucifer” figure, thanks to songs like “Sympathy for the Devil.” In the ’80s the Stones lost their dangerous aura while still seeming “bad” — they’ve become icons of an elegantly debauched, world-weary decadence. But Jagger remains the most self-consciously assured appropriator of black performers’ up-front sexuality; Keith Richards’ Chuck Berry–derived riffing defines rock rhythm guitar (not to mention rock guitar rhythm); the stalwart rhythm section of Bill Wyman and Charlie Watts holds its own; and Jagger and Richards continue to add to what is arguably one of the most significant oeuvres in rock history.

    Jagger and Richards first met at Dartford Maypole County Primary School. When they ran into each other 10 years later in 1960, they were both avid fans of blues and American R&B, and they found they had a mutual friend in guitarist Dick Taylor, a fellow student of Richards’ at Sidcup Art School. Jagger was attending the London School of Economics and playing in Little Boy Blue and the Blue Boys with Taylor. Richards joined the band as second guitarist; soon afterward, he was expelled from Dartford Technical College for truancy.

    Meanwhile, Brian Jones had begun skipping school in Cheltenham to practice bebop alto sax and clarinet. By the time he was 16, he had fathered two illegitimate children and run off briefly to Scandinavia, where he began playing guitar. Back in Cheltenham he joined the Ramrods, then drifted to London with his girlfriend and one of his children. He began playing with Alexis Korner’s Blues, Inc., then decided to start his own band; a want ad attracted pianist Ian Stewart (b. 1938; d. December 12, 1985).

    As Elmo Lewis, Jones began working at the Ealing Blues Club, where he ran into a later, loosely knit version of Blues, Inc., which at the time included drummer Charlie Watts. Jagger and Richards began jamming with Blues, Inc., and while Jagger, Richards, and Jones began to practice on their own, Jagger became the featured singer with Blues, Inc.

    Jones, Jagger, and Richards shared a tiny, cheap London apartment, and with drummer Tony Chapman they cut a demo tape, which was rejected by EMI. Taylor left to attend the Royal College of Art; he eventually formed the Pretty Things. Ian Stewart’s job with a chemical company kept the rest of the group from starving. By the time Taylor left, they began to call themselves the Rolling Stones, after a Muddy Waters song.

    On July 12, 1962, the Rolling Stones — Jagger, Richards, Jones, a returned Dick Taylor on bass, and Mick Avory, later of the Kinks, on drums — played their first show at the Marquee. Avory and Taylor were replaced by Tony Chapman and Bill Wyman, from the Cliftons. Chapman didn’t work out, and the band spent months recruiting a cautious Charlie Watts, who worked for an advertising agency and had left Blues, Inc. when its schedule got too busy. In January 1963 Watts completed the band.

    Local entrepreneur Giorgio Gomelsky booked the Stones at his Crawdaddy Club for an eight-month, highly successful residency. He was also their unofficial manager until Andrew Loog Oldham, with financing from Eric Easton, signed them as clients. By then the Beatles were a British sensation, and Oldham decided to promote the Stones as their nasty opposites. He eased out the mild-mannered Stewart, who subsequently became a Stones roadie and frequent session and tour pianist.

    In June 1963 the Stones released their first single, Chuck Berry’s “Come On.” After the band played on the British TV rock show Thank Your Lucky Stars, its producer reportedly told Oldham to get rid of “that vile-looking singer with the tire-tread lips.” The single reached Number 21 on the British chart. The Stones also appeared at the first annual National Jazz and Blues Festival in London’s borough of Richmond and in September were part of a package tour with the Everly Brothers, Bo Diddley, and Little Richard. In December 1963 the Stones’ second single, “I Wanna Be Your Man” (written by John Lennon and Paul McCartney), made the British Top 15. In January 1964 the Stones did their first headlining British tour, with the Ronettes, and released a version of Buddy Holly’s “Not Fade Away,” which made Number Three.

    “Not Fade Away” also made the U.S. singles chart (Number 48). By this time the band had become a sensation in Britain, with the press gleefully reporting that band members had been seen urinating in public. In April 1964 their first album was released in the U.K., and two months later they made their first American tour. Their cover of the Bobby Womack/Valentinos song “It’s All Over Now” was a British Number One, their first. Their June American tour was a smashing success; in Chicago, where they’d stopped off to record the Five by Five EP at the Chess Records studio, riots broke out when the band tried to give a press conference. The Stones’ version of the blues standard “Little Red Rooster,” which had become another U.K. Number One, was banned in the U.S. because of its “objectionable” lyrics.

    Jagger and Richards had now begun composing their own tunes (at first using the “Nanker Phelge” pseudonym for group compositions). Their “Tell Me (You’re Coming Back to Me)” was the group’s first U.S. Top 40 hit, in August. The followup, a nonoriginal, “Time Is on My Side,” made Number Six in November. From that point on, all but a handful of Stones hits were Jagger-Richards compositions.

    In January 1965 their “The Last Time” became another U.K. Number One and cracked the U.S. Top 10 in the spring. The band’s next single, “(I Can’t Get No) Satisfaction,” reigned at Number One for four weeks that summer and remains perhaps the most famous song in its remarkable canon. Jagger and Richards continued to write hits with increasingly sophisticated lyrics: “Get Off My Cloud” (Number One, 1965), “As Tears Go By” (Number Six, 1965), “19th Nervous Breakdown” (Number Two, 1966), “Mother’s Little Helper” (Number Eight, 1966), “Have You Seen Your Mother, Baby, Standing in the Shadow?” (Number Nine, 1966).

    Aftermath, the first Stones LP of all original material, came out in 1966, though its impact was minimized by the simultaneous release of the Beatles’ Revolver and Bob Dylan’s Blonde on Blonde. The Middle Eastern–tinged “Paint It, Black” (1966) and the ballad “Ruby Tuesday” (1967), were both U.S. Number One hits.

    In January 1967 the Stones caused another sensation when they performed “Let’s Spend the Night Together” (“Ruby Tuesday”’s B side) on The Ed Sullivan Show. Jagger mumbled the title lines after threats of censorship (some claimed that the line was censored; others that Jagger actually sang “Let’s spend some time together”; Jagger later said, “When it came to that line, I sang mumble”). In February Jagger and Richards were arrested on drug-possession charges in Britain; in May, Brian Jones, too, was arrested. The heavy jail sentences they received were eventually suspended on appeal. The Stones temporarily withdrew from public appearances; Jagger and his girlfriend, singer Marianne Faithfull, went to India with the Beatles to meet the Maharishi Mahesh Yogi. The Stones’ next single release didn’t appear until the fall: the Number 14 “Dandelion.” Its B side, “We Love You” (Number 50), on which John Lennon and Paul McCartney sang backup vocals, was intended as a thank-you to fans.

    In December came Their Satanic Majesties Request, the Stones’ psychedelic answer record to the Beatles’ Sgt. Pepper — and an ambitious mess. By the time the album’s lone single, “She’s a Rainbow” had become a Number 25 hit, Allen Klein had become the group’s manager.

    May 1968 saw the release of “Jumpin’ Jack Flash,” a Number Three hit, and a return to basic rock & roll. After five months of delay provoked by controversial album-sleeve photos, the eclectic Beggars Banquet was released and was hailed by critics as the band’s finest achievement. On June 9, 1969, Brian Jones, the Stones’ most musically adventurous member, who had lent sitar, dulcimer, and, on “Under My Thumb,” marimba to the band’s sound, and who had been in Morocco recording nomadic Joujouka musicians, left the band with this explanation: “I no longer see eye-to-eye with the others over the discs we are cutting.” Within a week he was replaced by ex–John Mayall guitarist Mick Taylor. Jones announced that he would form his own band, but on July 3, 1969, he was found dead in his swimming pool; the coroner’s report cited “death by misadventure.” Jones, beset by drug problems — and the realization that the band now belonged squarely to Jagger and Richards — had barely participated in the Beggars Banquet sessions.

    At an outdoor concert in London’s Hyde Park a few days after Jones’ death, Jagger read an excerpt from the poet Shelley and released thousands of butterflies over the park. On July 11, the day after Jones was buried, the Stones released “Honky Tonk Women,” another Number One, and another Stones classic. By this time, every Stones album went gold in short order, and Let It Bleed (a sardonic reply to the Beatles’ soon-to-be-released Let It Be) was no exception. “Gimme Shelter” received constant airplay. Jones appeared on most of the album’s tracks, though Taylor also made his first on-disc appearances.

    After going to Australia to star in the film Ned Kelly, Jagger rejoined the band for the start of its hugely successful 1969 American tour, the band’s first U.S. trip in three years. But the Stones’ Satanic image came to haunt them at a free thank-you-America concert at California’s Altamont Speedway. In the darkness just in front of the stage, a young black man, Meredith Hunter, was stabbed to death by members of the Hell’s Angels motorcycle gang, whom the Stones — on advice of the Grateful Dead — had hired to provide security for the event. The incident was captured on film by the Maysles brothers in their feature-length documentary Gimme Shelter. Public outcry that “Sympathy for the Devil” (which they had performed earlier in the show; they were playing “Under My Thumb” when the murder occurred) had in some way incited the violence led the Stones to drop the tune from their stage shows for the next six years.

    After another spell of inactivity, the Get Yer Ya-Ya’s Out! live album was released in the fall of 1970 and went platinum. That same year the Stones formed their own Rolling Stones Records, an Atlantic subsidiary. The band’s first album for its own label, Sticky Fingers (Number One, 1971) — which introduced their Andy Warhol — designed lips-and-lolling-tongue logo — yielded hits in “Brown Sugar” (Number One, 1971) and “Wild Horses” (Number 28, 1971). Jagger, who had starred in Nicolas Roeg’s 1970 Performance (the soundtrack of which contained “Memo From Turner”), married Nicaraguan fashion model Bianca Perez Morena de Macias, and the pair became international jet-set favorites. Though many interpreted Jagger’s acceptance into high society as yet another sign that rock was dead, or that at least the Stones had lost their spark, Exile on Main Street (Number One, 1972), a double album, was another critically acclaimed hit, yielding “Tumbling Dice” (Number Seven) and “Happy” (Number 22). By this time the Stones were touring the U.S. once every three years; their 1972 extravaganza, like those in 1975, 1978, and 1981, was a sold-out affair.

    Goats Head Soup (Number One, 1973) was termed the band’s worst effort since Satanic Majesties by critics, yet it contained hits in “Angie” (Number One, 1973) and “(Doo Doo Doo Doo Doo) Heartbreaker” (Number 15, 1974). It’s Only Rock n’ Roll (Number One, 1974) yielded Top 20 hits in the title tune and a cover of the Temptations’ “Ain’t Too Proud to Beg.” Mick Taylor left the band after that album; and after trying out scores of sessionmen (many of whom showed up on the next LP, 1976’s Black and Blue), the Stones settled on Ron Wood, then still nominally committed to Rod Stewart and the Faces (who disbanded soon after Wood joined the Stones officially in 1976). In 1979 Richards and Wood, with Meters drummer Ziggy Modeliste and fusion bassist Stanley Clarke, toured as the New Barbarians.

    Black and Blue was the Stones’ fifth consecutive LP of new material to top the album chart, though it contained only one hit single, the Number 10 “Fool to Cry.” Wyman, who had released a 1974 solo album, Monkey Grip (the first Stone to do so), recorded another, Stone Alone. Jagger guested on “I Can Feel the Fire” on Wood’s solo first LP, I’ve Got My Own Album to Do. Wood has since recorded several more albums, and while none were commercial hits (Gimme Some Neck peaked at Number 45 in 1979), his work was generally well received.

    The ethnic-stereotype lyrics of the title song from Some Girls (Number One, 1978) provoked public protest (the last outcry had been in 1976 over Black and Blue’s battered-woman advertising campaign). Aside from the disco crossover “Miss You” (Number One), the music was bare-bones rock & roll — in response, some speculated, to the punk movement’s claims that the band was too old and too affluent to rock anymore.

    Richards and his longtime common-law wife, Anita Pallenburg, were arrested in March 1977 in Canada for heroin possession — jeopardizing the band’s future — but he subsequently kicked his habit and in 1978 was given a suspended sentence.

    In 1981 Tattoo You was Number One for nine weeks (1980’s Emotional Rescue also went to Number One) and produced the hits “Start Me Up” (Number Two, 1981) and “Waiting on a Friend” (Number 13, 1981), the latter featuring jazz great Sonny Rollins on tenor saxophone. The 1981 tour spawned an album, Still Life, and a movie, Let’s Spend the Night Together (directed by Hal Ashby), which grossed $50 million.

    Through the ’80s the group became more an institution than an influential force. Nevertheless, both Undercover (Number Four, 1983) and Dirty Work (Number Four, 1986) were certifiable hits despite not topping the chart, as every new studio album had done in the decade before. Each album produced only one Top 20 hit, “Undercover of the Night” (Number Nine, 1983) and “Harlem Shuffle” (Number Five, 1986), the latter a remake of a minor 1964 hit by Bob and Earl.

    Jagger and Richards grew estranged from each other, and the band would not record for three years. Jagger released his first solo album, the platinum She’s the Boss, in 1984. His second, 1987’s Primitive Cool, didn’t even break the Top 40. Richards, who’d long declared he would never undertake a solo album (and who resented Jagger’s making music outside the band), countered in 1988 with the gold Talk Is Cheap, backed up by the X-Pensive Winos: guitarist Waddy Wachtel and the rhythm section of Steve Jordan and Charley Drayton.

    The two Stones sniped at each other in the press and in song: Richards’ album track “You Don’t Move Me” was directed at his longtime partner. Nevertheless, shortly before the Rolling Stones were inducted into the Rock and Roll Hall of Fame, in January 1989 the two traveled to Barbados to begin writing songs for a new Stones album. Steel Wheels (Number Three, 1989) showed the group spinning its wheels musically, and were it not for the band’s first American tour in eight years, it is doubtful the LP would have sold anywhere near its 2 million copies. But the 50-date tour, which reportedly grossed $140 million, was an artistic triumph. As the group’s fifth live album, Flashpoint (Number 16, 1991), demonstrated, never had the Stones sounded so cohesive onstage.

    Bill Wyman announced his long-rumored decision to leave the group after 30 years, in late 1992. “I was quite happy to stop after that,” the 56-year-old bassist told a British TV show. The announcement helped deflect attention from Wyman’s love life: In 1989 he married model Mandy Smith, who was just 131⁄2 when the two began dating. The couple divorced in 1990, the same year that Mick Jagger finally married his longtime lover, Jerry Hall. (Jagger and Hall would later split up.)

    The early ’90s were a time for solo albums from Richards — Live at the Hollywood Palladium and Main Offender (Number 99, 1992)and Jagger’s Wandering Spirit (Number 11, 1993). Neither sold spectacularly; apparently fans are most interested in Jagger and Richards when they work together. Wood released Slide on This, his first solo album in over a decade, and Watts pursued his real love, jazz, with the Charlie Watts Orchestra.

    In 1994 Jagger, Richards, Watts, and Wood, along with bassist Darryl Jones (whose credits include working with Miles Davis and Sting) released the critically well-received Voodoo Lounge (Number Two, 1994) and embarked on a major tour that proved one of the highest-grossing of the year, earning a reported $295 million. Voodoo Lounge brought the Stones their first competitive Grammy, 1994’s Best Rock Album award. Voodoo Lounge was also the group’s first release under its new multimillion-dollar, three-album deal with Virgin Records, which included granting Virgin the rights to some choice albums from the Stones’ back catalogue, including Exile on Main Street, Sticky Fingers, and Some Girls. After having languished in storage for nearly three decades, the Rolling Stones’ Rock & Roll Circus concert film and soundtrack was released in 1996, which featured the Stones in the era of Beggars Banquet, and other rock luminaries — the Who, Jethro Tull, John Lennon and Yoko Ono, Eric Clapton, Taj Mahal, and more — as well as various acrobats, fire-eaters, and other circus artists who performed routines between songs.

    Meanwhile, back to their standard time lapse of three years between tours, the Stones released Bridges to Babylon (Number Three, 1997, their 19th platinum LP) and launched yet another lavish, sold-out worldwide tour, where they played two-hour concerts consisting of only a few songs off the new album and lots of hits. Corporate sponsorship was particularly intense: long-distance carrier Sprint, for example, paying $4 million to print its company logo on tickets and stage banners. In 1998 the Stones released the obligatory tour album, No Security.

    In 1997 Richards coproduced and played on Wingless Angels, an album of Rastafarian spirituals; guested, with Elvis Presley guitarist Scotty Moore, on All the King’s Men, a tribute to Presley; and with the rest of the Stones, played on B.B. King’s Deuces Wild. Assembling the roots-rock band the Rhythm Kings, with Peter Frampton and Georgie Fame sitting in, Bill Wyman put out three albums in the late ’90s. Watts continued his jazz excursions with 1996’s orchestral offering, Long Ago and Far Away, and then forayed into world beat with a 2000 collaboration with veteran session drummer Jim Keltner. Mick Taylor’s recording career revived, as the ex-Stone put out Stonesy releases with Carla Olson.

    In 2000 "Satisfaction" topped a VH1 Poll of 100 Greatest Rock Songs. Jagger gained more attention in the social columns. In 1999 29-year-old Brazilian model Luciana Gimenez Morad claimed that she was pregnant with his child; Jagger disagreed. Jerry Hall filed for divorce. Jagger, despite the couple’s four children, maintained that their Hindu nuptials did not constitute a legal marriage. When Morad’s child was born, DNA tests concluded that Jagger was indeed the boy’s father. In 2001 he released his fourth solo album, Goddess in the Doorway (Number 39). At the post-9-11 "Concert for New York City," held at Madison Square Garden on Oct. 21, 2001, Jagger, Richards and a backing band performed "Salt of the Earth" and "Miss You."

    In 2002, the Stones released Forty Licks, a greatest hits package including four new songs, and embarked on yet another tour, including two—one in Toronto and another in Hong Kong—to benefit victims of the SARS epidemic. In November 2003, the band inked a deal allowing the Best Buy chain to be the exclusive seller of their 4-DVD tour document Four Flicks. Some music retailers in the U.S. and Canada, including Best Buy competitor Circuit City and the 100-store HMV Canada, responded by pulling Stones merchandise from their shelves. In 2004, Rolling Stone ranked the Stones No. 4 in its "100 Greatest Artists of All Time," just below the Beatles, Bob Dylan and Elvis Presley.

    On Jagger’s 62nd birthday, July 26, 2005, the Stones announced they were releasing a new album, A Bigger Bang (Number 3), followed by a tour. The album included a rare political song from Jagger, "Sweet Neo Con," which was stingingly critical of the Bush Administration’s post Iraq War tactics and included the line, "You say you are a patriot/I think that you’re a crock of shit." The Stones’ A Bigger Bang Tour began in August 2005 and by year’s end had already set the year’s record at $162 million in gross receipts. The tour took the band from North and South America to Europe, Asia and even the 2006 Super Bowl. The tour ended two years later in London. Overall, the Bigger Bang tour earned a staggering $558 million, the highest-grossing tour of all time. The tour was not without its setbacks. During the New Zealand stretch, in May 2006, Richards was hospitalized for brain surgery after reportedly falling from a coconut tree in Fiji. In June, Wood went into rehab for alcohol problems.

    The Stones released another 4-CD box set, The Biggest Bang, in June 2007; it also was sold exclusively through Best Buy. The Very Best Of Mick Jagger, a collection of the singer’s solo works, came out in October 2007. Filmmaker Martin Scorsese's April 2008 documentary Shine a Light intimately captured the Stones' 2006 Bigger Bang live performance at New York City's Beacon Theater from sixteen different camera angles and included guest performances by Christina Aguilera, Jack White, and Buddy Guy.

    3.4.09

    GUITAR UNIQUE










    THE UNIQUE GUITAR LET'S GO ROCK

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